Sinopsis

Once America’s capitalist dream town, Detroit is our country’s greatest urban failure, having fallen the longest and the farthest. But the city’s worst crisis yet (and that’s saying something) has managed to do the unthinkable: turn the end of days into a laboratory for the future. Urban planners, land speculators, neopastoral agriculturalists, and utopian environmentalists—all have been drawn to Detroit’s baroquely decaying, nothing-left-to-lose frontier.

With an eye for both the darkly absurd and the radically new, Detroit-area native Mark Binelli has chronicled this convergence. Throughout the city’s “museum of neglect”—its swaths of abandoned buildings, its miles of urban prairie—he tracks both the blight and the signs of its repurposing, from the school for pregnant teenagers to a beleaguered UAW local; from metal scrappers and gun-toting vigilantes to artists reclaiming abandoned auto factories; from the organic farming on empty lots to GM’s risky wager on the Volt electric car; from firefighters forced by budget cuts to sleep in tents to the mayor’s realignment plan (the most ambitious on record) to move residents of half-empty neighborhoods into a viable, new urban center.

Sharp and impassioned, Detroit City Is the Place to Be is alive with the sense of possibility that comes when a city hits rock bottom. Beyond the usual portrait of crime, poverty, and ruin, we glimpse a longshot future Detroit that is smaller, less segregated, greener, economically diverse, and better functioning—what could be the boldest reimagining of a post-industrial city in our new century.

Detroit City Is the Place to Be is one of Publishers Weekly's Top 10 Best Books of 2012

From Bookforum

Mark Binelli's excellent Detroit City Is The Place To Be is ostensibly about everyone who didn't leave Detroit behind. It's a stylish, clear-eyed, subtly absurdist panorama of the contemporary city and the people who hold it together ... But even as the author focuses on the city's present and future, he also takes stock of its fraught past—a past that stubbornly resists abandonment. —Will Boisvert

Review

A New York Times Book Review Editor’s Choice

“Magnificent… A crackling rebuttal to ruin porn, those glossy coffee table books that fetishize Detroit’s decay… A clear-eyed look at promising recent developments, without any saccharine optimism.”
—The New York Times

“First things first: Binelli can really write.... Binelli chronicles the various experiments happening inside Detroit with a winning combination of humor, skepticism and sincerity [and] also does the far more important work of squaring the repurposing and rebranding of Detroit by artists and enterpreneurs with the more fundamental reality of the place.... He is a cleareyed and soulful narrator of Detroit’s travails.”
—*The New York Times Book Review*

“The single best thing to read if you want to understand what Detroit feels like today.”
*—San Francisco Chronicle

“Binelli is excellent writer and a sensitive and careful reporter.… He does a great job of presenting the arc of Detroit’s 20th century: its rise as automotive capital of the world, its economic apex in the 1950s and its thudding diminishment.”
—The Wall Street Journal

“A sharply observed, insightful work of love and fury.”
*—The Christian Science Monitor

“I can’t think of a better work of nonfiction in 2012 than Mark Binelli’s Detroit City is the Place to Be.... Nothing has come as close to realistically documenting the wackiness of contemporary Detroit.”
—*The New York Observer*

“Excellent… A stylish, clear-eyed, subtly absurdist panorama... Binelli’s engrossing book captures the beauty and nobility of Detroit, and the warmth of its communal life amid hardship and chaos. Binelli also takes full measure of the bizarreness of Detroit’s predicament—which is also the bizarreness of a whole nation contemptuously disregarding its achievements.”
—Bookforum

“Heartbreaking… Darkly funny and prophetic.”
*—Rolling Stone

“Mark Binelli’s Detroit City Is the Place to Be is part history, part explanation and part profile of a city he knows intimately—he grew up in the Detroit area. Sounds complex? It is, and it should be. The city doesn’t need any more labels or quick summaries. It needs someone to put a face on Detroit, to show that it’s not rolling over and playing dead. Binelli proves he’s up to the task in this refreshing, intriguing work.”
*—BookPage

“Terrific… A long-overdue and hugely welcome corrective to the one-dimensional narrative of urban decay that has been spewing out of Detroit roughly since 1970…  Binelli is equally skeptical of breathless hype and received wisdom, and he can also be very funny.”
—TheMillions

“Binelli went to Detroit and lived there. Does that sound boring? It’s not.… Binelli is a good storyteller, an entertaining historian, and an insightful commenter.”
—Slate

“Remember that trend of major newspapers publishing slideshows of decaying Detroit?… Detroit City Is the Place to Be doesn’t shy away from these unflattering realities, but it is a far more thoughtful exploration of what it means to be a fallen city. In a sense, it is the antithesis of those lazy slideshows… An impressive portrait of the city, balancing gumshoe research and interviews, some brisk but thorough history, and a nice dose of personal narrative.”
—Grantland

“As fascinating as Detroit’s current, tentative renaissance is, Binelli masterfully provides a broader story, a 300-year tour through the formerly wondrous and now wondrously devastated metropolis.... A wildly compelling biography of a city as well as a profound commentary on postindustrial America.”
—Publishers Weekly *(starred review)

“Binelli is a charming writer, and his periodic humorous asides and innate good nature are a welcome contrast to the darker sections.… An informative, often-heartbreaking portrait of a once-great American metropolis gone to hell.”
*—Kirkus Reviews

*“I like Mark Binelli’s book a lot. He covers the shrinking of Detroit, its downfall from the lofty peak as Arsenal of Democracy, with clear, expository prose and no axe to grind. A firefighter asks the author, ?eng